Ebuzz News
Former Calypso Monarch, Helon Francis, Calls for Rebranding of Calypso.
A former Calypso Monarch says Calypso, as an element of Trinidad and Tobago’s culture, must be rebranded. It is something Helon Francis believes, will save the artform. A new calypso rendition called, “Mighty,” released last week, the 2018 Calypso King is walking in his truth, honestly expressing his innermost feelings, even as the country presents what’s being called, “The Mother of All Carnivals.”
Francis’ latest release is an anthem of patriotic assertion. He wills his fellow nationals to remember the fabric from which they’ve been cut, urging thoughtfulness and recollection of past achievements, notable moments in history and even the everyday living of the everyday man. A powerfully interwoven string of words, bound by simple melodies and rhythms, Helon’s contender for the crown is a masterpiece.
As a citizen who hails from Cascade, Francis’ passionate plea for a return to the brotherhood and patriotism that once was, offers a glimmer of hope this carnival. It is safe to say that in the traditional calypso arena, scathing political attacks and insensitive innuendo, are usually the components that bind chorus and verse, taking many to the finals on Dimanche Gras Sunday. Helon says, this time around, he chose to highlight beauty, potential and desire for better.
“This song describes our people. We are now at a point where we must re-evaluate ourselves and our situation, especially coming out of what was a global depression. It is important that I remind our people of who we are because sometimes, hard times can bring you to a point where you forget your abilities,” said Francis. He says he prefers to focus his energy and music on enlightening the people of his country at this time.
The song was written by Francis. He understands music well, having studied and earned a Bachelor of Arts Degree in Music. Now, armed with that academic knowledge, a deep- rooted desire to direct change in his way, and an undeniable creative gift, Helon is pushing a positive agenda, with high hopes of breathing new life into Calypso and country.
In 2018, he won the Calypso Monarch with a song entitled, “Change.” Well experienced in the art of Calypso composition and delivery, Francis anticipates his return to Skinner Park this year. He has been through the necessary stages, having won Young Kings in 2016 and before that, delivering from youth into adolescence. Now an adult, he is focused on empowering others like him for a better Trinidad and Tobago.
Admittedly, Francis is appreciative of the kaleidoscope of creativity that’s seen in the calypso arena. “I appreciate every artist, because we need the kaleidoscope of calypsonians to make a thriving industry,” he said. He however believes that the future of the industry must be left to the youth, those even younger than him.
“Youth drives the popularity of any music. Without a young crop of budding calypsonians, we are not going to go forward the way we need to,” the artist advised, suggesting that efforts be made to rebrand the genre, considerate of the advanced state of the world we now occupy. “If we don’t make the right changes, when it comes to branding, theme, variety, calypsonians and calypso itself, we’re not going to move forward. We have to take risks,” he emphasized.
Helon hopes to see a new era of calypsonians between the ages of 18 and 25 become involved in what some may call the heartbeat of carnival, calypso music. For now, he is presenting positive music with purpose. It is through that effort he feels the best result will emerge.
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Caribbean Buzz
Destra Delivers Powerfully at Reflections.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.