There are some artistes in the world of entertainment who simply could care less about the possible consequences of their words. One such artiste, who might be coined a realist is, Trinidad and Tobago Hip-Hop act, Chromatics. The entertainer who is signed to Angostura’s LLB brand, last week posted a Facebook sentiment that may have stunned some members of the media, but in the same breath, it may have been just what the rest of the local entertainment fraternity, may have been thinking.
Chromatics is known for his outspoken verses.
Known for his outspoken verses, especially with the three installments of the Carnival Rap Up anthem, ‘Matics as he is fondly referred to, delivered some harsh words to the media on August 14th. In his online post, he said, “Entertainment news on Trinidadian radio does kill me yes…..who d f@ck cares if Jennifer Lopez insured her ass for a mill, or that Chris Brown has to attend anger management classes or why Rob Kardashian didn’t go to his sister Kim’s wedding.Stop copying, pasting, printing then regurgitating entertainment blogs you find on d internet and go do some real research and report what’s going on in our Entertainment Industry. Yuh Lazy f$cks….Disclaimer: who d cap fit mek dem wear it.”
Chromatics’ utterance follows that of several members of the local entertainment industry over the years, among them Impulse and KMC. Many artistes claim that the media in T&T does not do enough to assist in strengthening the overall marketing of the various entertainment disciplines on the island. Local radio and television personality, Hans DesVignes who works at urban frequency, Boomchampionstt.com, in a response to Chromatics’ post last week said, “Here’s the deal… It’s a two way street. Most of our entertainment news reporters not doing sh$t with the exception of people like Aba Luke and Adanna Asson but truth be told international artistes have PR people that send out releases (even the fake ones). Another approach to more local entertainment news is artists actually generating and providing news.#nolazymanting“
Another prominent voice in entertainment, Adrian Hackshaw, best known as ThirdBass also chimed in, saying, “We don’t have an industry in t&t we have a ”dustry”……in a real industry all systems work in place to build an artiste & and all make $$$$$…….unless u like Aba Amina Luke doing it for the love ”nobody cares”……….why must one who getting a basic salary & your boss not telling u anything because the ent news segment sponsored anyway…..put in alllllll that work to run down local artiste who busy touring making money or doing whatever to find out what’s going on in your career ”what’s in it for them”………that’s the ”dustry” mentality.
The post that puts the local entertainment media to shame.
Meanwhile, the ever controversial Chromatics celebrates his birthday today. The EBUZZ team wishes the entertainer a blessed birthday!
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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