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As Travis Scott and Others Face A Multi-Million Dollar Lawsuit Following Astroworld Mayhem, ChinaTown Promoter Weighs In.



Approx. 3 min read

Trinidad and Tobago Radio personality and event promoter, Ryan ’Chinee’ Sing Hon says he feels the artistes, promoter and even patrons are all responsible for the Astroworld disaster that unfolded in Texas on November 5th. His analysis of the situation comes as a lawsuit seeking more than $750 million, was filed on Tuesday on behalf of at least 125 victims of the festival.

Chinee on stage at an event.

The deaths of 10 event attendees has made global headlines, triggering closer scrutiny of major event protocols and analysis of all that went down with hopes of learning from it all. Chinee, known for his staging of the ’ChinaTown’ event, in Trinidad, said, ”There are questions to be answered here.” He pondered thoughtfully the fact that major events of this kind always include the involvement of security agencies. ”The necessary checks always take place as bodies of law agencies are heavily involved before a single person enters,” he said. He said there was no question in his mind that prior to gates being opened, all protocols would’ve been checked and the green light then given.

The crowd surge at rapper, Travis Scott’s festival in Houston has led to dozens of lawsuits being filed against Scott and Live Nation Entertainment Inc.

Travis Scott

The suit, filed by Buzbee Law Firm, also list the rapper Drake, who joined Scott halfway through his Astroworld set, Apple Music, which was streaming the festival, and others as defendants.

“The victims on that night went to Astroworld for fun,” the suit says. “Neither they nor their families were ever warned that they were walking into an extremely dangerous situation.”

One victim was crushed by the “incited, unruly and out-of-control crowd with such force that he could no longer breathe,” according to the suit. He went into cardiac arrest and was then trampled, it says.

“As he lay there under a mass of humanity, dying, the music played and streamed on — for almost forty minutes,” the suit says. The victim, 21-year old Axel Acosta Avila, died at the scene.

The suit accuses Scott, whose real name is Jacques Bermon Webster II, of keeping the concert going even after authorities had announced a mass casualty event. Other suits have alleged the same, and Houston Fire Chief Samuel Peña said Scott “absolutely” should have stopped the show once he saw what was taking place. 

“Look: We all have a responsibility. Everybody at that event has a responsibility, starting from the artist on down,” he said last week. 

Scott’s litigation attorney, Edwin McPherson, has said Scott “didn’t know that there was a mass casualty event that was called.”

A section of the crowd at Astroworld.

Scott said in an Instagram story the day after that he was “devastated.” He has offered to pay for the funerals of the 10 people who died and to refund tickets for all attendees.

“Such [an] offer is a transparent and grotesque effort of the Defendants to limit their liability, after the fact, to the families of those killed or injured,” the Buzbee lawsuit says. “The Acosta family would rather Webster have privately spent money on proper planning, adequate security and medical staff before the concert, instead of publicly stating that he would pay for the funerals of those that were crushed and killed.”

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Ebuzz News

Sistaron’s Trailblazing. Artist’s New Hit Single, ‘Fwd’, Is All That!




Approx. 3 min read

Rhonda Knights is the undisputed female HipHop queen of Trinidad and Tobago and this incontestable fact facilitated her rise to acclaim in the 90’s in Trinidad and Tobago, but she’s far from done. As fierce as she’s ever been, Sistaron, as she’s popularly known, now delivers another hit single, this time with melody that’s intrinsically Soca. 
Even amid pandemic restrictions, Sistaron remained focused, bent on delivering her unique sound, and that she has. She’s made a point of blending her country’s sweet, Soca melody with a few lines that bring home the head- bopping fire she’s well known for. ‘Fwd’ is a lyrically sound piece of work that’s uplifted with the production skill of none other than producer, LL Cool Blaze, with mastering by Keron ‘Sherrif’ Thompson. Peter ‘Wildfire’ Noel is credited with vocal co-production, building on their relationship from her previous release, ‘Waiting for You.’

When she re-emerged onto the Caribbean music circuit two years ago, Sistaron received a warm welcome. Her single, ‘Look Ting Now’ was enough to prove that she was prepared to leave a lasting impression. Now, with a thirst to deliver music that fans and people from all walks of life can relate to, dance and sing along to, the former Keskidee Karavan hit maker, elevates with ‘Fwd.’ 

“It’s a track that anyone can relate to – men and women,” she explained, adding that this particular single isn’t being marketed specifically to the carnival season. “A lot of the artistes have changed that mindset of creating music with lyrics specific to carnival. The pandemic showed many of us what needed to change. We’re at a crossroads where we simply want to release music for consistency and we don’t want to be pressed for a certain time period,” she said. The Miami based artist highlighted the chaos often caused when music is released specifically for the Carnival season, with artistes all clamoring for radio airplay. “This situation may prove beneficial to the industry, since now we can all focus on delivering music anytime, irrespective of a festival per say.” 


Still, the carnival lover maintains hope that Trinidad and Tobago will see brighter days ahead. “Many of us out here in the US are concerned because we know the strain the economy back home, is under. We know what our contribution annually, means to the economy,” she said, highlighting that no matter what, Trinidad and Tobago’s carnival is essential. 

Equipped with her individual style and flair, Sistaron says it’s never easy to reinvent oneself and keep going, and for that, she’s immensely satisfied with her determination. “I’m shocking myself all the time,” she said, laughing at the moments she often finds herself pondering the fact that she wrote the music she just happens to be singing. “Someone once told me that I should keep adjusting my crown, because they’re watching, and that fueled me to keep going,” she admitted, adding, “reinventing myself and producing good stuff is giving me my own vibe right now.”

She tells up and coming creatives to avoid placing boundaries on themselves, saying that it’s good to broaden their perspective so they can see a wider spectrum of all that they can be. Her new single is testimony to that mindset- the artist explaining that it all came together as it needed to, after multiple random chats with friends and even a chance encounter with an Afro Beats mixtape she’d heard almost two years before. “This song is made up of a little of everything, meshed perfectly to deliver a huge something that’s not only relatable, but honest and real,” she said. 

For the very latest on Sistaron, follow her on Instagram @sistaron.


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Bunji, Fay Ann Go Hard With New Soca Rave Sound.




Approx. < 1 min read

As talk of Trinidad and Tobago’s carnival 2022 maintains some momentum with stakeholders weighing in on the practicality of a festival being hosted, soca artistes like Fay Ann Lyons and her husband, Bunji Garlin, are hard at work. The duo, still overseas, having spent most of the summer in the US, have unleashed a brand new track, collaboratively done and totally out of the box. This morning, Bunji declined to comment on the new single or anything else for that matter, telling us that he preferred to focus on releasing good music for the people at this present time.

The new single is a crossover into the mainstream ‘rave’ genre that is huge in places like Miami, Los Angeles, Chicago, Detroit and New York. Blending the traditional hyped sound of Soca music with the Rave element, breeds a flavour that they both deliver comfortably on. In 2015, Lyons-Alvarez experimented with the sound when she unleashed the powerful, ‘Raze’- a tune that proved to be a truly epic fetter’s anthem. Now, fast forward to 2021, as the world anticipates a revival of energy to life, she comes hard again, this time with her husband, in a song they’ve called, ‘What You See.’

The new single was collaboratively written by both artistes and produced by St. Lucia’s, Lashley ‘Motto’ Winter and Yannick Plante. The track sits on the Ibiza Riddim, which also features Motto and St. Vincent’s Skinny Fabulous.


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