Trinidad and Tobago Radio personality and event promoter, Ryan ’Chinee’ Sing Hon says he feels the artistes, promoter and even patrons are all responsible for the Astroworld disaster that unfolded in Texas on November 5th. His analysis of the situation comes as a lawsuit seeking more than $750 million, was filed on Tuesday on behalf of at least 125 victims of the festival.
Chinee on stage at an event.
The deaths of 10 event attendees has made global headlines, triggering closer scrutiny of major event protocols and analysis of all that went down with hopes of learning from it all. Chinee, known for his staging of the ’ChinaTown’ event, in Trinidad, said, ”There are questions to be answered here.” He pondered thoughtfully the fact that major events of this kind always include the involvement of security agencies. ”The necessary checks always take place as bodies of law agencies are heavily involved before a single person enters,” he said. He said there was no question in his mind that prior to gates being opened, all protocols would’ve been checked and the green light then given.
The crowd surge at rapper, Travis Scott’s festival in Houston has led to dozens of lawsuits being filed against Scott and Live Nation Entertainment Inc.
Travis Scott
The suit, filed by Buzbee Law Firm, also list the rapper Drake, who joined Scott halfway through his Astroworld set, Apple Music, which was streaming the festival, and others as defendants.
“The victims on that night went to Astroworld for fun,” the suit says. “Neither they nor their families were ever warned that they were walking into an extremely dangerous situation.”
One victim was crushed by the “incited, unruly and out-of-control crowd with such force that he could no longer breathe,” according to the suit. He went into cardiac arrest and was then trampled, it says.
“As he lay there under a mass of humanity, dying, the music played and streamed on — for almost forty minutes,” the suit says. The victim, 21-year old Axel Acosta Avila, died at the scene.
The suit accuses Scott, whose real name is Jacques Bermon Webster II, of keeping the concert going even after authorities had announced a mass casualty event. Other suits have alleged the same, and Houston Fire Chief Samuel Peña said Scott “absolutely” should have stopped the show once he saw what was taking place.
“Look: We all have a responsibility. Everybody at that event has a responsibility, starting from the artist on down,” he said last week.
Scott’s litigation attorney, Edwin McPherson, has said Scott “didn’t know that there was a mass casualty event that was called.”
A section of the crowd at Astroworld.
Scott said in an Instagram story the day after that he was “devastated.” He has offered to pay for the funerals of the 10 people who died and to refund tickets for all attendees.
“Such [an] offer is a transparent and grotesque effort of the Defendants to limit their liability, after the fact, to the families of those killed or injured,” the Buzbee lawsuit says. “The Acosta family would rather Webster have privately spent money on proper planning, adequate security and medical staff before the concert, instead of publicly stating that he would pay for the funerals of those that were crushed and killed.”
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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